They Need You! Disability, Visual Culture, and the Poster Child, 1945-1980
They Need You! Disability, Visual Culture, and the Poster Child, 1945-1980 examines the history of the national poster child—an official representative for both a disease and an organization—in post-World War II America. This dissertation argues that the National Foundation for Infantile Paralysis/March of Dimes and Muscular Dystrophy Association’s poster child campaigns increased the visibility and understanding of physical disability in new ways by depicting disabled American children within their families and communities as full, if physically limited, citizens of the nation. The campaigns’ emphasis on curing disability and illness centered on a rhetoric of disease eradication, which through repetition became a dominant logic for health charities in the United States. The focus on disease eradication in poster child imagery promoted a narrow view of disease and disability as conditions to be overcome, and precluded political avenues and policies beyond medical research into a cure. Moreover, these poster child campaigns contributed to broader shift toward viewing charitable donations as a consumable good through the establishment of annual rituals of philanthropy-as-civic participation.
This dissertation is presented digitally in Scalar. Please email Celeste (email@example.com) for access to the site, as it is currently password protected due to image permissions.
Digital History Project (in process)
A study of visual and textual rhetorics of materials related to addiction and treatment, with particular focus on Hazelden and Dia Linn facilities and the Minnesota Model.
Augmented Reality for Visualizing Complex Temporalities (in process)
Continued development of an augmented reality app that could better visualize complex and multiple temporalities (historical, religious, cultural) and be an easy reusable resource for classroom use.
- Poster presentation and additional resources for initial prototype co-developed with Sarah Calhoun, Andrew Wilson, and Adam Kral.